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Cranko: The Man and his Choreography Book

Explore the fascinating life of the choreographer John Cranko with this ballet title Cranko: The Man and his Choreography Book. Discover captivating details about his works for The Royal Ballet and the Stuttgart Ballet in this essential book, featuring a foreword by Sir David Bintley. Perfect for ballet enthusiasts.

The author Ashley Killar danced in the Stuttgart Ballet’s premieres of Cranko’s Onegin, Romeo and Juliet and many more. He reveals the man behind the masterpieces and explores an array of lesser-known works, bringing to light fascinating facts about the genesis of Cranko’s ballets. Lavishly illustrated with rare photographs, the book contains Cranko’s personal letters and extensive reference material. It brings the reader surprising insights into the life and work of a truly exceptional man of theatre.

Format: paperback
ISBN: 9781805141716
Pages: 493
Size: 23.39 x15.6 x 3.53 cm

Customer Reviews

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Julia Brannen
A truly magnificant achievement an a joy to read

This outstanding book on the life and choreography of John Cranko who died tragically so young has been long in gestation - the result of exemplary exhaustive research that includes firsthand experience of Cranko at work as director of The Stuttgart Ballet. The book's author is a choreographer, former Royal Ballet dancer and a member of Stuttgart Ballet under Cranko. I particularly appreciated the historicisation of Cranko's life, both public and private, his work and wider social circle, a rare feat in such writing and I suspect in the ballet literature.
The book is packed with photographs, remarkable facts, and narrative insights and the author brings a magical touch to the writing that keeps the reader engaged throughout. The appendices are invaluable: they include a catalogue of Cranko's complete works (1944-1973) that are unusually contextualised in historical events, together with the music and the cast lists. There is also an appendix devoted to some of Cranko's letters that illuminate the creative process, his own persona and the difficulties he faced in his life; some of Cranko's own writing from the programmes for his productions; and an appendix on the subsequent history of The Stuttgart Ballet. I have no doubt this book will stand the test of time and will be considered the foundational source on Cranko's work and life. I cannot commend this book more highly.

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Sarah Priday
An essential read for all ballet lovers

Cranko died far too young. What he achieved in his short life in terms of choreography was extraordinary. I loved this biography and have placed it in its rightful place on my book shelf next to Kavanagh's biography of Ashton and Parry's of MacMillan. It is beautifully written and an absolutely essential read for any lover of ballet.